A scene involving the nurse, the Sikh, and a piano. There are moments of great effect: One in which she plays hopscotchby herself. Actions that may have led to Caravaggio having his thumbscut off by the Nazis.Īll of this back-story (there is much more) is pieced togethergradually by the dying man in the bed, while the nurse tends to him, sometimeskisses him, bathes his rotting skin, and tries to heal her own wounds from thelong war. But under what conditions that flight wastaken remains a mystery until the closing scenes of the movie, as do a lot ofother things, including actions by the count that Caravaggio, the strangevisitor, may suspect. These are the two people-the count and the British woman-whowere in the plane in the first shot. In a stunning sequence, their camp is all but buried in a sandstorm,and their relief at surviving leads to a great romantic sequence. Eventually they findthemselves in the desert, part of an expedition, and when Geoffrey is calledaway (for reasons which later are revealed as good ones), they draw closertogether. ”It is clear to both of them that they are in love. Almasy follows her home one night, and she confrontshim and says, “Why follow me? Escort me, by all means, but to follow me. Her husband Geoffrey ( Colin Firth) isa disappointment to her. She isKatharine Clifton ( Kristin Scott Thomas). In the frantic social life of Cairo, where everyone is awarethat war is coming, Almasy meets a newly married woman at a dance. He is a Hungarian count, named Laszlo de Almasy ( Ralph Fiennes),who in Egypt before the war was attached to the Royal Geographic Society as apilot who flew over the desert, making maps that could be used for theirresearch-which was the cover story-but also used by English troops in case ofwar. Iwill simply supply the outlines that become clear early on. I will not disclose the crucial details of what he remembers. Meanwhile, the patient's memories startto return in flashes of detail, spurred by the book that was found with hischarred body-an old leather-bound volume of the histories of Herodotus, withdrawings, notes and poems pasted or folded inside. But as shewatches him risk his life to disarm land mines, she fears her curse will doomhim if they fall in love, he will die. I don't thinkhe's forgotten anything.” The nurse is attracted to one of the bomb disposalmen, a handsome, cheerful Sikh officer named Kip ( Naveen Andrews). Anybody who loves me-who gets close tome-is killed.”) Caravaggio, who has an interest in the morphine Hana dispensesto her patient, is more cynical: “Ask your saint who he's killed. Hana cares for himtenderly, perhaps because he reminds her of other men she has loved and lostduring the war. The patient's skin is so badly burned it looks like torturedleather. Here she sets up a makeshift hospital, and soon she is joinedby two bomb-disposal experts and a mysterious visitor named Caravaggio (WillemDafoe). ![]() When he grows too ill to be moved, a nurse namedHana ( Juliette Binoche) offers to stay behind to care for him in the ruins ofan old monastery. ![]() A horribly burned man, the “English patient” of the title, ispart of a hospital convoy. The “present” action takes place in Italy, during the last daysof World War II.
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